That places the Harry Potter films some 70 years after their Fantastic Beasts counterparts.Īnd Harry Potter’s story does continue beyond the final reckoning with Lord Voldemort – though not on screen – thanks to the hit stage play Harry Potter and the Cursed Child. While the movies were made in the 2000s – and feature the occasional anachronism such as 21st century mobile phones or music – it’s probable they follow the same carefully crafted timeline as Rowling’s books. That means each of the seven books in the Potter series focus on a different school year (running from September to August), starting in 1991, when Harry’s 11 years old.
0 Comments
At long last, freedom is restored to the galaxy. Community content is available under CC-BY-SA unless otherwise noted. The Empire is finally defeated, the Sith are destroyed, and Anakin Skywalker is thus redeemed. Epic War Saga is a side-scrolling defence game where you call forth units and spells to defeat your rival heroes. In the last second, Vader makes a momentous choice: he destroys the Emperor and saves his son. Luke Skywalker confronts his father Darth Vader in a final climactic duel before the evil Emperor. In the epic conclusion of the saga, the Empire prepares to crush the Rebellion with a more powerful Death Star while the Rebel fleet mounts a massive attack on the space station. Here's the official synopsis for Star Wars: Episode V - The Empire Strikes Back:
His cousin is Rico Wade of Organized Noize and Future had the co-sign of legendary Atlanta rap collective the Dungeon Family, but some still didn’t take to his “astronaut music” style right away. A singsongy, auto-tune-devoted rapper with a knack for catchy hooks, his rise brought fame and derision. That line may sound like a throwaway threat from an early ‘90s hood movie, but Future has earned the right to pop a lil shit.įuture was a bit of an oddity when he broke through with Pluto in 2012. “I have nun in the world against future I listen to his music His music makes me happy and I hope he continues to bless me and others with it.”Īs for Future’s response? He was short but pointed: “I think if you guys were to stop drinking so much cheap liquor and high-tech syrup you would be able to think before speaking and typing,” he tweeted. Thug’s stuff has been well-regarded, but he hasn’t matched Future’s string of releases in listenability or acclaim.Īfter his initial burst, Young Thug was a bit more contrite. But the biggest difference is that Future has managed to deliver the goods consistently over that stretch. Young Thug released his Barter 6 album back in April, and with his Slime Season and Slime Season 2 mixtapes coming within six weeks of each other this fall, he does seem to at least share Future’s productivity. “It’s ok to ride a nigga dick, but don’t agitate another one lil nigga.” ((IM MICHEAL)) he’s ((TITO)),” Thug tweeted. “A nigga music couldn’t ever sound nowhere near mines. Because effects like Auto-Tune and reverb enhance the sonic capabilities of most voices, with a decent hook and a bit of DAW production wherewithal, the rest will fall into place.Young Thug took exception to Metro Boomin’s string of tweets, with the rapper calling out the producer for “dick ridin”- and he dissed Future. If you’re not the most naturally gifted emcee, trap music gives you a platform to rap regardless. or Tupac Shakur, for example - will opt to use effects like Auto-Tune, digital reverb, and delay, and shout unintelligible lyrics.īut it doesn’t really matter because the beat leaves so much space open for vocals to fill in, it’s basically designed to be a pedestal for the hook to shine. Essentially, the term refers to artists who, rather than rapping clearly with little or no vocals effects - like Notorious B.I.G. It’s a platform for the hook, and everything else is secondary.īy now, you’ve probably heard of the term “mumble rapper.” Artists like Young Thug, Future, and Lil Uzi Vert are among those thrown into this category. + Learning to record and mix at home? Check out Soundfly’s acclaimed online courses on mixing, production, and beat making - Subscribe for unlimited access. I guess the old saying holds true: “If it ain’t broke, don’t fix it.” Dark or light subject matter, eery or uplifting key signatures, it’s all a party. Producers seem perfectly content to allow this sound to proliferate as is - but what’s keeping this repetitive formula from getting old? Now, throw in a handful of “uuhhs!”s and “whats!” and dive into your first verse. I know I’m not alone every time I think, “How is this still going on?” so let’s unpack this question.Īt this point, the formula has become almost comically predictable: Open with an ambient intro that encompasses the song’s main theme, build the groove with some vocal booth ad-libs and producer drops, then open up the beat track. The genre was popularized in the American South in the ’90s having allegedly originated in Atlanta, Georgia’s explosive rap scene, and it doesn’t seem to be slowing down. And it’s been like this for a minute now. But whether you’re listening to lyrical heroes like Kendrick Lamar or polarizing newcomers like Lil Yachty, hip-hop is fixated on trap. That is the sound of what people basically refer to as trap music.įor the purposes of this article, we’re actually only covering “trap rap” and not the remix-centric phenomenon of EDM that is also known as trap, although that genre also features tons of aesthetic similarities. Upon closer listen, orchestrally swelling MIDI strings and catchy diatonic piano melodies frequently follow suit, also. If you walk down the street of any major city and open your ears to the cars driving by, there’s a good chance that the music roaring out of the windows will feature an immediately recognizable formula: rattling, synthetic hi-hats, speaker-cone-devastating sub-bass, and 808 kick samples all rolling on top of one another in tight rhythmic uniform. + Learn the nuances of producing beats, arranging tracks, and creative sampling, drawing on the rich history and influence of hip-hop in Soundfly’s acclaimed online course, The Art of Hip-Hop Production. Or whenever he starts singing or dancing along with the track - especially in his Best of 2011 video when he dances to Usher's More (Remix).Just look at him singing at the start of the "The Spider-Man Musical Review".Actually Pretty Funny: In the credits to his 'Sexy And I Know It' review, he admits that he did think it was funny that one of the dancers tears off his Speedo to reveal another Speedo underneath.He explains his hatred of the band in his FAQ (short version: It's not that they suck, it's that they so consistently suck across such a long period of time). Though not talked about that much in his videos, he also really hates the band Nickelback, whom he often uses as a comparison for music he absolutely loathes (such as Chris Brown's verse in Look At Me Now).And he's pretty open about his LOATHING of Chris Brown (he even started this), but most people find this to be justified.However, he really doesn't like Chicago (the band, not the city). He owns up to liking some songs from certain performers people love to hate, he made his case against Justin Bieber very clearly, and he even faked out the audience by pretending to have a deep-seated hatred of Barry Manilow before admitting he really had nothing against the guy.
|
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |